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Monday, November 21, 2005

The international entry mail art show SAT: An Exhibit of Chairs was put on display Friday in Brampton, Ontario, Canada. Held in the Fridge Front Gallery at the Shoppers World Brampton mall, SAT is a diverse collection of artworks focusing on a generally mundane object, the chair.

Works in the show range from realism to abstract, dadaism to surrealism, post-modern to collage.

While some of the entries were submitted directly to Visual Arts Brampton, most came from a previous exhibit. Organized by Pati Bristow, No place to rest, chairs you can’t sit on ran at Shopping Trolley Gallery West and Seaman’s Library at Foothill College, both in Los Altos Hills, California, earlier in 2005. Guest curator Nicholas Moreau was unaware of the similarly themed exhibit, held so soon before. The theme for SAT was based on that of a 1987 juried art show organized by Visual Arts Brampton at the now-defunct Chinguacousy Library Gallery.

Works in Visual Arts Brampton’s showing of the exhibition are from 17 countries including Belgium, Brazil, Canada, Finland, France, Germany, Ireland, Italy, Japan, Netherlands, Norway, Pakistan, Romania, Spain, Uruguay, the United Kingdom, and the United States of America.

This is Visual Arts Brampton’s third mail art show. In 1999, Susan Williamson created The Great Canadian Mail Art Show for Artway at Bramalea City Centre; the show was so successful that the Art Gallery of Peel adopted it in 2001. The concept of a mail art show was revived in 2004 by Moreau, held at the new Artway Shoppers World. The Snail Mail World Postcard Art Show has been held annually since.

Visual Arts Brampton’s Fridge Front Gallery primarily hosts artwork by youth from its kids classes, and from schools in Brampton and Oakville. In contrast, the nearby Artway Gallery hosts artwork by professional and amateur adult artists from across Peel. VAB has successfully sought permission to create a third display space in Shoppers World, in the Zellers corridor. The space will host shows of mail art and works on paper year-round. The planned “World Art Gallery” will be the first ever permanent display space for mail art.

Thursday, October 22, 2020

2020 Melbourne Lord Mayor candidate Wayne Tseng answered some questions about his campaign for the upcoming election from Wikinews. The Lord Mayor election in the Australian city is scheduled to take place this week.

Tseng runs a firm called eTranslate, which helps software developers to make the software available to the users. In the candidate’s questionnaire, Tseng said eTranslate had led to him working with all three tiers of the government. He previously belonged to the Australian Liberal Party, but has left since then, to run for mayorship as an independent candidate.

Tseng is of Chinese descent, having moved to Australia with his parents from Vietnam. Graduated in Brisbane, Tseng received his PhD in Melbourne and has been living in the city, he told Wikinews. Tseng also formed Chinese Precinct Chamber of Commerce, an organisation responsible for many “community bond building initiatives”, the Lord Mayor candidate told Wikinews.

Tseng discussed his plans for leading Melbourne, recovering from COVID-19, and “Democracy 2.0” to ensure concerns of minorities in the city were also heard. Tseng also focused on the importance of the multi-culture aspect and talked about making Melbourne the capital of the aboriginals. Tseng also explained why he thinks Melbourne is poised to be a world city by 2030.

Tseng’s deputy Lord Mayor candidate Gricol Yang is a Commercial Banker and works for ANZ Banking Group.

Currently, Sally Capp is the Lord Mayor of Melbourne, the Victorian capital. Capp was elected as an interim Lord Mayor in mid-2018 after the former Lord Mayor Robert Doyle resigned from his position after sexual assault allegations. Doyle served as the Lord Mayor of Melbourne for almost a decade since 2008.

Monday, October 7, 2019

Yesterday morning, English drummer Ginger Baker died in a hospital at the age of 80. The news came from the Twitter account in his name and was independently confirmed by Associated Press with his daughter Nettie Baker. On September 25, it was reported Baker was hospitalized in critical condition. Baker was widely known as the drummer and co-founder of the rock band Cream, an early supergroup.

Baker, a life-long smoker and former heroin addict, suffered from health problems for years. The list of ailments included hearing loss, osteoarthritis, emphysema and chronic obstructive pulmonary disease, as well as heart problems for which he had surgery in 2016. Although known to have lived his latter years in South Africa, his daughter said he died in Britain without elaborating.

Ginger Baker was born Peter Edward Baker in Lewisham, London, in 1939. His father was killed in combat in 1943 during World War II. Baker — who was reportedly nicknamed Ginger due to his red hair — began playing drums in his teens. In a story he sometimes told, he had a habit of tapping on school desks. When an opportunity arose at a party, his classmates encouraged him to sit down at a drum set. “I’d never sat behind a kit before, but I sat down — and I could play! One of the musicians turned round and said, ‘Bloody hell, we’ve got a drummer’, and I thought, ‘Bloody hell, I’m a drummer’?”, he recalled in a 2009 retelling of the story to the The Independent.

Baker began his career as a drummer in jazz bands. He played with Acker Bilk and Terry Lightfoot. In 1962, when fellow drummer Charlie Watts was leaving Blues Incorporated for The Rolling Stones, Watts recommended Baker to be his replacement. Later, Baker found early success with rhythm and blues band The Graham Bond Organisation where he met bassist Jack Bruce.

In 1966, Baker, Bruce and singer/guitarist Eric Clapton, who was known from The Yardbirds, formed Cream. The rock trio was a massive success, selling tens of millions of records, including the first ever platinum certified album Wheels of Fire. Cream recorded four albums, then in 1968 disbanded with Baker and Bruce having developed a volatile relationship. Clapton and Baker were subsequently in another supergroup Blind Faith with Steve Winwood and Ric Grech. Blind Faith recorded only one studio album but notably played before a crowd of a hundred thousand at a free concert in London’s Hyde Park.

In the 1970s, Baker moved to Nigeria where he established a studio and began playing polo. Here he collaborated with Fela Kuti and worked on Wings’s album Band on the Run with Paul McCartney of The Beatles fame. Later, he recorded with John Lydon’s Public Image Ltd.

Cream was inducted in 1993 into the Rock and Roll Hall of Fame. The band reunited in 2005 for several London and New York concerts. Afterwards he moved to South Africa, and still lived there when the 2012 documentary Beware of Mr. Baker was filmed. Baker’s last recording was 2014’s Why? solo album. Baker retired from live performances in 2016 due to his ill health.

Paul McCartney wrote on Twitter, “Ginger Baker, great drummer, wild and lovely guy. We worked together on the ‘Band on the Run’ album in his ARC Studio, Lagos, Nigeria. Sad to hear that he died but the memories never will.”

“A very sad loss, and my condolences to his family and friends. A loss also for his contribution to music. He was well-grounded in jazz from very early on,” wrote Steve Winwood in a statement. “Beneath his somewhat abrasive exterior, there was a very sensitive human being with a heart of gold. He’ll be missed.”

Mick Jagger of The Rolling Stones also reacted on Twitter, “Sad news hearing that Ginger Baker has died, I remember playing with him very early on in Alexis Korner’s Blues Incorporated. He was a fiery but extremely talented and innovative drummer.”

Friday, July 29, 2011

Today sees the reopening of the National Museum of Scotland following a three-year renovation costing £47.4 million (US$ 77.3 million). Edinburgh’s Chambers Street was closed to traffic for the morning, with the 10am reopening by eleven-year-old Bryony Hare, who took her first steps in the museum, and won a competition organised by the local Evening News paper to be a VIP guest at the event. Prior to the opening, Wikinews toured the renovated museum, viewing the new galleries, and some of the 8,000 objects inside.

Dressed in Victorian attire, Scottish broadcaster Grant Stott acted as master of ceremonies over festivities starting shortly after 9am. The packed street cheered an animatronic Tyrannosaurus Rex created by Millenium FX; onlookers were entertained with a twenty-minute performance by the Mugenkyo Taiko Drummers on the steps of the museum; then, following Bryony Hare knocking three times on the original doors to ask that the museum be opened, the ceremony was heralded with a specially composed fanfare – played on a replica of the museum’s 2,000-year-old carnyx Celtic war-horn. During the fanfare, two abseilers unfurled white pennons down either side of the original entrance.

The completion of the opening to the public was marked with Chinese firecrackers, and fireworks, being set off on the museum roof. As the public crowded into the museum, the Mugenkyo Taiko Drummers resumed their performance; a street theatre group mingled with the large crowd, and the animatronic Tyrannosaurus Rex entertained the thinning crowd of onlookers in the centre of the street.

On Wednesday, the museum welcomed the world’s press for an in depth preview of the new visitor experience. Wikinews was represented by Brian McNeil, who is also Wikimedia UK’s interim liaison with Museum Galleries Scotland.

The new pavement-level Entrance Hall saw journalists mingle with curators. The director, Gordon Rintoul, introduced presentations by Gareth Hoskins and Ralph Applebaum, respective heads of the Architects and Building Design Team; and, the designers responsible for the rejuvenation of the museum.

Describing himself as a “local lad”, Hoskins reminisced about his grandfather regularly bringing him to the museum, and pushing all the buttons on the numerous interactive exhibits throughout the museum. Describing the nearly 150-year-old museum as having become “a little tired”, and a place “only visited on a rainy day”, he commented that many international visitors to Edinburgh did not realise that the building was a public space; explaining the focus was to improve access to the museum – hence the opening of street-level access – and, to “transform the complex”, focus on “opening up the building”, and “creating a number of new spaces […] that would improve facilities and really make this an experience for 21st century museum visitors”.

Hoskins explained that a “rabbit warren” of storage spaces were cleared out to provide street-level access to the museum; the floor in this “crypt-like” space being lowered by 1.5 metres to achieve this goal. Then Hoskins handed over to Applebaum, who expressed his delight to be present at the reopening.

Applebaum commented that one of his first encounters with the museum was seeing “struggling young mothers with two kids in strollers making their way up the steps”, expressing his pleasure at this being made a thing of the past. Applebaum explained that the Victorian age saw the opening of museums for public access, with the National Museum’s earlier incarnation being the “College Museum” – a “first window into this museum’s collection”.

The museum itself is physically connected to the University of Edinburgh’s old college via a bridge which allowed students to move between the two buildings.

Applebaum explained that the museum will, now redeveloped, be used as a social space, with gatherings held in the Grand Gallery, “turning the museum into a social convening space mixed with knowledge”. Continuing, he praised the collections, saying they are “cultural assets [… Scotland is] turning those into real cultural capital”, and the museum is, and museums in general are, providing a sense of “social pride”.

McNeil joined the yellow group on a guided tour round the museum with one of the staff. Climbing the stairs at the rear of the Entrance Hall, the foot of the Window on the World exhibit, the group gained a first chance to see the restored Grand Gallery. This space is flooded with light from the glass ceiling three floors above, supported by 40 cast-iron columns. As may disappoint some visitors, the fish ponds have been removed; these were not an original feature, but originally installed in the 1960s – supposedly to humidify the museum; and failing in this regard. But, several curators joked that they attracted attention as “the only thing that moved” in the museum.

The museum’s original architect was Captain Francis Fowke, also responsible for the design of London’s Royal Albert Hall; his design for the then-Industrial Museum apparently inspired by Joseph Paxton’s Crystal Palace.

The group moved from the Grand Gallery into the Discoveries Gallery to the south side of the museum. The old red staircase is gone, and the Millennium Clock stands to the right of a newly-installed escalator, giving easier access to the upper galleries than the original staircases at each end of the Grand Gallery. Two glass elevators have also been installed, flanking the opening into the Discoveries Gallery and, providing disabled access from top-to-bottom of the museum.

The National Museum of Scotland’s origins can be traced back to 1780 when the 11th Earl of Buchan, David Stuart Erskine, formed the Society of Antiquaries of Scotland; the Society being tasked with the collection and preservation of archaeological artefacts for Scotland. In 1858, control of this was passed to the government of the day and the National Museum of Antiquities of Scotland came into being. Items in the collection at that time were housed at various locations around the city.

On Wednesday, October 28, 1861, during a royal visit to Edinburgh by Queen Victoria, Prince-Consort Albert laid the foundation-stone for what was then intended to be the Industrial Museum. Nearly five years later, it was the second son of Victoria and Albert, Prince Alfred, the then-Duke of Edinburgh, who opened the building which was then known as the Scottish Museum of Science and Art. A full-page feature, published in the following Monday’s issue of The Scotsman covered the history leading up to the opening of the museum, those who had championed its establishment, the building of the collection which it was to house, and Edinburgh University’s donation of their Natural History collection to augment the exhibits put on public display.

Closed for a little over three years, today’s reopening of the museum is seen as the “centrepiece” of National Museums Scotland’s fifteen-year plan to dramatically improve accessibility and better present their collections. Sir Andrew Grossard, chair of the Board of Trustees, said: “The reopening of the National Museum of Scotland, on time and within budget is a tremendous achievement […] Our collections tell great stories about the world, how Scots saw that world, and the disproportionate impact they had upon it. The intellectual and collecting impact of the Scottish diaspora has been profound. It is an inspiring story which has captured the imagination of our many supporters who have helped us achieve our aspirations and to whom we are profoundly grateful.“

The extensive work, carried out with a view to expand publicly accessible space and display more of the museums collections, carried a £47.4 million pricetag. This was jointly funded with £16 million from the Scottish Government, and £17.8 million from the Heritage Lottery Fund. Further funds towards the work came from private sources and totalled £13.6 million. Subsequent development, as part of the longer-term £70 million “Masterplan”, is expected to be completed by 2020 and see an additional eleven galleries opened.

The funding by the Scottish Government can be seen as a ‘canny‘ investment; a report commissioned by National Museums Scotland, and produced by consultancy firm Biggar Economics, suggest the work carried out could be worth £58.1 million per year, compared with an estimated value to the economy of £48.8 prior to the 2008 closure. Visitor figures are expected to rise by over 20%; use of function facilities are predicted to increase, alongside other increases in local hospitality-sector spending.

Proudly commenting on the Scottish Government’s involvement Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, described the reopening as, “one of the nation’s cultural highlights of 2011” and says the rejuvenated museum is, “[a] must-see attraction for local and international visitors alike“. Continuing to extol the museum’s virtues, Hyslop states that it “promotes the best of Scotland and our contributions to the world.“

So-far, the work carried out is estimated to have increased the public space within the museum complex by 50%. Street-level storage rooms, never before seen by the public, have been transformed into new exhibit space, and pavement-level access to the buildings provided which include a new set of visitor facilities. Architectural firm Gareth Hoskins have retained the original Grand Gallery – now the first floor of the museum – described as a “birdcage” structure and originally inspired by The Crystal Palace built in Hyde Park, London for the 1851 Great Exhibition.

The centrepiece in the Grand Gallery is the “Window on the World” exhibit, which stands around 20 metres tall and is currently one of the largest installations in any UK museum. This showcases numerous items from the museum’s collections, rising through four storeys in the centre of the museum. Alexander Hayward, the museums Keeper of Science and Technology, challenged attending journalists to imagine installing “teapots at thirty feet”.

The redeveloped museum includes the opening of sixteen brand new galleries. Housed within, are over 8,000 objects, only 20% of which have been previously seen.

The Window on the World rises through the four floors of the museum and contains over 800 objects. This includes a gyrocopter from the 1930s, the world’s largest scrimshaw – made from the jaws of a sperm whale which the University of Edinburgh requested for their collection, a number of Buddha figures, spearheads, antique tools, an old gramophone and record, a selection of old local signage, and a girder from the doomed Tay Bridge.

The arrangement of galleries around the Grand Gallery’s “birdcage” structure is organised into themes across multiple floors. The World Cultures Galleries allow visitors to explore the culture of the entire planet; Living Lands explains the ways in which our natural environment influences the way we live our lives, and the beliefs that grow out of the places we live – from the Arctic cold of North America to Australia’s deserts.

The adjacent Patterns of Life gallery shows objects ranging from the everyday, to the unusual from all over the world. The functions different objects serve at different periods in peoples’ lives are explored, and complement the contents of the Living Lands gallery.

Performance & Lives houses musical instruments from around the world, alongside masks and costumes; both rooted in long-established traditions and rituals, this displayed alongside contemporary items showing the interpretation of tradition by contemporary artists and instrument-creators.

The museum proudly bills the Facing the Sea gallery as the only one in the UK which is specifically based on the cultures of the South Pacific. It explores the rich diversity of the communities in the region, how the sea shapes the islanders’ lives – describing how their lives are shaped as much by the sea as the land.

Both the Facing the Sea and Performance & Lives galleries are on the second floor, next to the new exhibition shop and foyer which leads to one of the new exhibition galleries, expected to house the visiting Amazing Mummies exhibit in February, coming from Leiden in the Netherlands.

The Inspired by Nature, Artistic Legacies, and Traditions in Sculpture galleries take up most of the east side of the upper floor of the museum. The latter of these shows the sculptors from diverse cultures have, through history, explored the possibilities in expressing oneself using metal, wood, or stone. The Inspired by Nature gallery shows how many artists, including contemporary ones, draw their influence from the world around us – often commenting on our own human impact on that natural world.

Contrastingly, the Artistic Legacies gallery compares more traditional art and the work of modern artists. The displayed exhibits attempt to show how people, in creating specific art objects, attempt to illustrate the human spirit, the cultures they are familiar with, and the imaginative input of the objects’ creators.

The easternmost side of the museum, adjacent to Edinburgh University’s Old College, will bring back memories for many regular visitors to the museum; but, with an extensive array of new items. The museum’s dedicated taxidermy staff have produced a wide variety of fresh examples from the natural world.

At ground level, the Animal World and Wildlife Panorama’s most imposing exhibit is probably the lifesize reproduction of a Tyrannosaurus Rex skeleton. This rubs shoulders with other examples from around the world, including one of a pair of elephants. The on-display elephant could not be removed whilst renovation work was underway, and lurked in a corner of the gallery as work went on around it.

Above, in the Animal Senses gallery, are examples of how we experience the world through our senses, and contrasting examples of wildly differing senses, or extremes of such, present in the natural world. This gallery also has giant screens, suspended in the free space, which show footage ranging from the most tranquil and peaceful life in the sea to the tooth-and-claw bloody savagery of nature.

The Survival gallery gives visitors a look into the ever-ongoing nature of evolution; the causes of some species dying out while others thrive, and the ability of any species to adapt as a method of avoiding extinction.

Earth in Space puts our place in the universe in perspective. Housing Europe’s oldest surviving Astrolabe, dating from the eleventh century, this gallery gives an opportunity to see the technology invented to allow us to look into the big questions about what lies beyond Earth, and probe the origins of the universe and life.

In contrast, the Restless Earth gallery shows examples of the rocks and minerals formed through geological processes here on earth. The continual processes of the planet are explored alongside their impact on human life. An impressive collection of geological specimens are complemented with educational multimedia presentations.

Beyond working on new galleries, and the main redevelopment, the transformation team have revamped galleries that will be familiar to regular past visitors to the museum.

Formerly known as the Ivy Wu Gallery of East Asian Art, the Looking East gallery showcases National Museums Scotland’s extensive collection of Korean, Chinese, and Japanese material. The gallery’s creation was originally sponsored by Sir Gordon Wu, and named after his wife Ivy. It contains items from the last dynasty, the Manchu, and examples of traditional ceramic work. Japan is represented through artefacts from ordinary people’s lives, expositions on the role of the Samurai, and early trade with the West. Korean objects also show the country’s ceramic work, clothing, and traditional accessories used, and worn, by the indigenous people.

The Ancient Egypt gallery has always been a favourite of visitors to the museum. A great many of the exhibits in this space were returned to Scotland from late 19th century excavations; and, are arranged to take visitors through the rituals, and objects associated with, life, death, and the afterlife, as viewed from an Egyptian perspective.

The Art and Industry and European Styles galleries, respectively, show how designs are arrived at and turned into manufactured objects, and the evolution of European style – financed and sponsored by a wide range of artists and patrons. A large number of the objects on display, often purchased or commissioned, by Scots, are now on display for the first time ever.

Shaping our World encourages visitors to take a fresh look at technological objects developed over the last 200 years, many of which are so integrated into our lives that they are taken for granted. Radio, transportation, and modern medicines are covered, with a retrospective on the people who developed many of the items we rely on daily.

What was known as the Museum of Scotland, a modern addition to the classical Victorian-era museum, is now known as the Scottish Galleries following the renovation of the main building.

This dedicated newer wing to the now-integrated National Museum of Scotland covers the history of Scotland from a time before there were people living in the country. The geological timescale is covered in the Beginnings gallery, showing continents arranging themselves into what people today see as familiar outlines on modern-day maps.

Just next door, the history of the earliest occupants of Scotland are on display; hunters and gatherers from around 4,000 B.C give way to farmers in the Early People exhibits.

The Kingdom of the Scots follows Scotland becoming a recognisable nation, and a kingdom ruled over by the Stewart dynasty. Moving closer to modern-times, the Scotland Transformed gallery looks at the country’s history post-union in 1707.

Industry and Empire showcases Scotland’s significant place in the world as a source of heavy engineering work in the form of rail engineering and shipbuilding – key components in the building of the British Empire. Naturally, whisky was another globally-recognised export introduced to the world during empire-building.

Lastly, Scotland: A Changing Nation collects less-tangible items, including personal accounts, from the country’s journey through the 20th century; the social history of Scots, and progress towards being a multicultural nation, is explored through heavy use of multimedia exhibits.

Wednesday, December 28, 2005Black American women living in communities with high poverty rates are significantly less likely to be screened for cervical cancer, a study finds.

The Harvard School of Public Health’s Geetanjali Dabral Datta investigated the relationship between individual characteristics and larger socioeconomic factors and cervical cancer screening rates. The Febreuary 1 issue of Cancer carries the study. More than 40,000 black women from across the United States participated in the Black Women’s Health Study.

“African-American women have twice the mortality rate from cervical cancer as white women,” said Elizabeth Ward, the director of the American Cancer Society. “Researchers need to investigate how those differences are related to socioeconomic status. One of the big factors that may account for this finding is access to high-quality medical care. Often communities that have high poverty rates either lack access to good quality care, or people have to travel longer distances to obtain high-quality care.”

David L. Katz at Yale University’s School of Medicine said; “While this finding is not surprising, it is noteworthy just the same. No one should die of cervical cancer, because a simple screening test reliably finds the condition in its earliest stages when cure is almost universally achievable. Yet, several thousand deaths from this cancer occur each year in the U.S.”

Sunday, July 15, 2007

A judge in the province of Ontario, Canada dismissed marijuana possession charges against a Toronto man, ruling that Canada’s laws governing possession are unconstitutional.

The unidentified defendant, 29, had been charged with possession after police had found him carrying 3.5 grams of marijuana.

Since July 30, 2001, Canada has allowed a medical exemption for the possession and growing of marijuana, under Health Canada‘s Marijuana Medical Access Regulations. The regulations describe eligible persons as those “suffering from grave and debilitating illnesses.” Canada contracts a company, Prairie Plant Systems, to cultivate and package seeds and/or dried marijuana for shipping of a monthly supply to eligible patients. A packet of 30 seeds costs CA$20, plus taxes. Dried marijuana costs patients CA$150 for 30 grams (slightly more than one ounce).

The defendant in the legal case was not suffering from an illness and was not in need of an exemption from the possession laws. The man put forth a defence that questioned the legality of the medical exemption since it was only a regulation, not a law. He argued that all possession laws, therefore, should be struck down.

The judge presiding over the case, Howard Borenstein, agreed with the argument. “The government told the public not to worry about access to marijuana,” said Judge Borenstein. “They have a policy but not law. In my view that is unconstitutional.”

The defendant’s lawyer, Brian McAllister, felt that the ruling may have significant consequences for possession laws throughout the province. “Obviously, there’s thousands of people that get charged with this offence every year,” said McAllister. He suggested that Ontario residents can cite the new ruling as a defence for possession charges. “That’s probably why the government will likely appeal the decision,” he said.

Judge Borenstein will make his ruling official in two weeks time. Prosecutors in the case have said that they will appeal the decision soon.

In related news, a Liberal senator from the province of British Columbia, Larry Campbell, said Wednesday that the federal government should decriminalize marijuana and “tax the hell out of it,”. He said the government should use the revenue for health care priorities. Sales should be controlled by government, he stated, in the same way that alcohol is sold. He noted that organized crime is pulling in large profits on the growing and sale of the drug.

Senator Campbell also suggested that too many resources are placed on the criminal prosecution of people for possession of small amounts of marijuana. “This is not a drug that causes criminality,” he said. “People are getting criminal records for essentially nothing.”

A recent UN survey, the 2007 World Drug Report, has determined that marijuana use in Canada is the highest among developed nations. Some 16.8 percent of Canadians between the ages of 15 and 64 used marijuana in 2004, compared to 12.6 percent of Americans, 8.7 percent for Britain, 8.6 percent for France, 6.9 percent for Germany, and 0.1 percent of Japanese.

York University law professor Alan Young, said the report’s numbers may be skewed higher for Canadians due to the willingness of Canadians to discuss the issue. “It’s become a large part of youth culture in Canada, and more importantly, 50 percent of marijuana smokers are over the age of 30,” he said. “So it’s really gone to all age groups, all class groups. There’s no question about it that there is less stigma in Canada.”

Only four other countries ranked ahead of Canada on marijuana use: Papua New Guinea, Micronesia, Ghana, and Zambia.

The UN data for harder drugs such as amphetamines and ecstasy showed relatively low use among Canadians.

Wednesday, January 28, 2009

Encyclopædia Britannica (EB), the authoritative reference book first published in 1768, is planning to let readers edit its entries, Jorge Cauz, its president said Friday, as it battles to keep pace with online Internet encyclopedia projects like Wikipedia.

Starting next week, readers, visitors and contributing experts to EB’s free, online version, Britannica.com, will be allowed to submit proposed changes and contributions to Britannica editors, who will then review the edits and make the necessary alterations. This move is meant to let readers help keep the reference work up-to-date by collaboration.

In expanding and maintaining entries online, users whose editorial suggestions are accepted and published entirely or in part will be credited by name in the section of the article that lists contributors.

The new website features will be available on the site within the next twenty-four hours. According to the Sydney Morning Herald, “Cauz is promising a 20-minute turnover on these edits, but that number could go up dramatically if the company cannot anticipate a large influx of edits at once.”

Britannica, however, explained that it would not allow a Wikipedia form of editing which allows a wide range of users to make contributions. EB’s novel user choice will include enrollment of experts in a reward scheme and invitation of selected readers to contribute. Several readers will also be allowed to use Britannica materials to contribute their own articles that will be featured on the site.

“We are not abdicating our responsibility as publishers or burying it under the now-fashionable ‘wisdom of the crowds’,” wrote Jorge Cauz in his blog. “We believe that the creation and documentation of knowledge is a collaborative process but not a democratic one,” Cauz noted, explaining further that “these experts would sit alongside the encyclopaedia entries and the official material would carry a ‘Britannica Checked’ stamp, to distinguish it from the user-generated content.”

Cauz also announced the unveiling by Britannica of a beta (trial) version of what will become the finished Britannica Online website, which will include a re-design and the addition of web-based tools for readers and users to upload their own reference materials. The new features that Britannica will roll out over the next six months also include an article rating system and a comprehensive list of contributors by subject area.

Articles developed by Britannica’s own editors also appear in the printed volumes, which are published every two years, though material created by what Cauz called their “community of scholars” will only appear online.

“Wikipedia contributes to the spread of information and many people are happy with it as their only source of reference, as are many people happy to eat McDonald’s every day,” said Cauz, who discussed differences between Britannica and Wikipedia features of online editing. “That’s the last thing we want to be. We are a different type of animal, catering to a different type of crowd,” he added.

Cauz said the company will retain its staff of about 100 full-time editors and over 4,000 expert contributors. “I think the future is likely going to be that in every media segment there has to be a symbiotic relationship between editor and reader,” said Cauz, adding that each article will have a detailed history showing changes and who made them, as in Wikipedia. In 1933, Britannica became the first encyclopaedia to introduce a “continuous revision” policy, with continuous reprinting such that every article is updated on a regular schedule.

Unlike Wikipedia, which allows anonymous edits through a user’s IP address being logged, Britannica’s new features strictly require contributors or users to register, revealing their real names and addresses, prior to modifying or creating their own articles. Contributions from non-academic users will sit in a separate section.

A new or changed feature called “Suggest Edit” button will allow readers of a particular article to suggest information clarification, post questions to contributors or add to the existing text, subject to Britannica editors’ approval. “What we are trying to do is shifting … to a much more proactive role for the user and reader where the reader is not only going to learn from reading the article but by modifying the article and – importantly – by maybe creating his own content or her own content,” wrote Cauz.

Cauz faulted Google for setting Wikipedia higher in pagerank than Britannica. He explained that, in EB, new efforts to participate in online collaboration of encyclopedic content are deemed by recognizing experts as a requirement in order to achieve objectivity and high quality. During his tenure, officials from Britannica have become outspoken in their criticism of Wikipedia articles’ contents.

In July 2006, Cauz personally entered the fray in an interview in New Yorker Magazine, in which he stated that Wikipedia had “decline(d) into a hulking, mediocre mass of uneven, unreliable, and, many times, unreadable articles” and that “Wikipedia is to Britannica as American Idol is to the Juilliard School.”

The 241-year-old publication, Encyclopædia Britannica, is a general English-language encyclopaedia published by a privately held company, Encyclopædia Britannica, Inc., and is the oldest English-language encyclopaedia still in print. The Britannica articles are directed at educated adult readers. First published between 1768 and 1771 in Edinburgh, Scotland, it quickly grew in popularity and size, with its third edition in 1801 reaching over 21 volumes.

Britannica’s latest 15th edition has a unique three-part structure: a 12-volume Micropædia of short articles (generally having fewer than 750 words), a 17-volume Macropædia of long articles (having from two to 310 pages) and a single Propædia volume created to give a hierarchical outline of human knowledge. The Micropædia is devised for quick fact-checking and as a door to the Macropædia.

At present, Britannica offers optical disc, online and mobile versions. The Britannica Ultimate Reference Suite 2006 DVD has over 55 million words and just over 100,000 articles, including 73,645 regular Britannica articles. The Encyclopædia Britannica Online website has more than 120,000 articles and is updated regularly. EB’s virtual space was founded in 1994 and contains articles comprised of over 46 million words.

In February 2007, Encyclopædia Britannica, Inc. said that it was working with AskMeNow to launch a mobile encyclopedia, to enable users to send questions via text messages. Replies would then be forwarded by AskMenow based on Britannicas’ articles.

As Britannica is a business, the company needed to charge, and Web access to the archives cost $70 a year. In April 2008, “Britannica Webshare,” a version of the online Encyclopaedia Britannica has been available for free, but only for Web publishers. The simple process requires signing up, giving a site URL, a description, and approval by the company. “This program is intended for people who publish with some regularity on the Internet, be they bloggers, webmasters, or writers. We reserve the right to deny participation to anyone who in our judgment doesn’t qualify,” said TechCrunch.

In June 2008, Britannica announced an initiative to facilitate collaboration between online expert and amateur scholarly contributors for Britannica’s on-line content (in the spirit of a wiki), with editorial oversight from Britannica staff. According to its statement titled “Britannica’s New Site: More Participation, Collaboration from Experts and Readers,” approved contributions would be credited, though contributing automatically grants Encyclopædia Britannica, Inc. perpetual, irrevocable license to those contributions.

PC World has, however, reported that it became clear how steep of a climb Britannica faces. “Wikipedia received a massive 97 percent share of the online encyclopedia market or visits U.S. Web surfers made to online encyclopedias last week,” Web monitoring company Hitwise said Friday. “MSN Encarta was second with 1.27 percent of visits, followed by Encyclopedia.com (0.76 percent), Fact Monster (0.72 percent) and, in fifth place, Britannica.com (0.57 percent). Britannica.com’s share of U.S. visits dropped 53 percent last month compared with December 2007,” Hitwise added.

While Britannica.com has 1.5 million visitors per day, Wikipedia attracts about six million, The Times reported. Hitwise also said that as of last week, Wikipedia ranked the 13th-most-visited site on the Web overall, while Britannica.com was 2,349th. The essential difference is Wikipedia does not charge any fee, while Britannica.com requires a paid subscription for access of some contents. Britannica, however, is issuing a “Encyclopaedia Britannica 2009 Ultimate Edition” – the £40 2009 DVD edition of its famous print encyclopaedia.

“One of the big questions still on the table is whether Britannica will open its content or maintain its premium membership paid wall. In order to compete with Wikipedia in the Google [search results], Britannica needs to build up inbound links. If content is locked up behind the paid content walls, people will be much more likely to link to other websites with free content — such as that available on Wikipedia,” Hitwise analyst Heather Hopkins noted.

Wikipedia, a not-for-profit collaborative online encyclopedia, in its Wikipedia Foundation’s recent drive for public donations, had aimed to raise $US6 million over the course of six months. On January 1, “it had met the target, from more than 125,000 donors,” said Wikipedia head honcho and co-founder Jimmy Wales. He has invoked Wikipedia’s “free-culture movement”, and its mission “to bring free knowledge to the planet, free of charge and free of advertising”.

“Wikipedia is the new frontier of human knowledge,” wrote Anonymous, donating $US100. American Patrick Culligan left another comment, saying, “Accurate information is what enables society to act in the appropriate way in which we can change the world. History cannot be left for the winners to write.” Another said: “Wikipedia is one of those ‘big ideas’ which will change our world for the better.”

After Encyclopedia Britannica’s announcement that it is introducing a more open editing system, web 2.0 giant Wikipedia has considered attempts to move away from its free and open editing system. Academics, scholars and others have long criticized the writing principles fostered by Wikipedia amid vandals having often changed Wikipedia entries resulting to erroneous reports.

Now, for the first time, the online encyclopedia has considered restricting the edits that users can make. The system known internally as “Flagged Revisions,” has been sparked off by inaccurate changes after a Wikipedia user “Gfdjklsdgiojksdkf” and an anonymous editor respectively edited articles to say that both U.S. Senators Ted Kennedy and Robert Carlyle Byrd had died. The errors were caught and duly corrected after about five minutes, but they were up long enough for the Washington Post, among other media outlets, to notice.

In just the latest incidents in a long and rich history of vandalism since its 2001 launch, Vernon Kay and Apple’s CEO Steve Jobs, among others, have also been falsely reported as dead on Wikipedia. Wiki means “fast” in Hawaiian and it certainly is, even amid subtle vandalism, since anyone can amend its 2.7m entries. Wikipedia has long struggled with such prankery, and has ever since worked closely with its community to overcome it without adopting harsh protections.

As Wikipedia itself acknowledges, “Allowing anyone to edit Wikipedia means that it is more easily vandalized or susceptible to unchecked information, which requires removal.” In the proposed process, only registered or reliable users could have their material or edits immediately appear to the general public visiting Wikipedia. Other contributors’ edits or changes will first be reviewed, signed off, or “flagged” by reliable users.

“This nonsense would have been 100 percent prevented by Flagged Revisions,” said Wikipedia founder Jimmy Wales under the header “Why I Am Asking Flagged Revisions Be Turned On Now,” on his user page. “[Instances of misinformation] could […] have been prevented by protection or semi-protection, but [..] [many are] breaking news [stories] and we want people to be able to participate (so protection is out) and even to participate in good faith for the first time ever (so semi-protection is out),” explained Wales who calls for monitoring to prevent false entries.

Wales said that a poll revealed 60 percent of Wikipedians favored the new proposal and that it would be a “time limited test.” He noted that the delay should be less than the German Wikipedia allowed: “less than 1 week, hopefully a lot less, because we will only be using it on a subset of articles, the boundaries of which can be adjusted over time to manage the backlog.”

Wales issued a statement requesting implementation of the extension: “To the Wikimedia Foundation: per the poll of the English Wikipedia community and upon my personal recommendation, please turn on the flagged revisions feature as approved in the poll.” But the community response was further debate.

As of February 2, his request hasn’t been implemented.

Apparently the Wikipedia German edition has been using a form of the Flagged Revisions system since May as a test case. It has, however, led to a delay of up to three weeks in getting some new articles and edits published, for critics have said that the system is very labor intensive and comments can take weeks to appear. Wales, however, pointed out that the system he was proposing was only for biographies of living people. Wikipedia has provided comprehensive and up-to-minute entries on the Virginia Tech massacre in April 2007 and the Mumbai terrorist attacks this past November as the events were still taking place.

While some participants in the debate have argued that the rule change is unnecessary, some have described it in terms of an ethical imperative. As one administrator wrote: “In the vast majority of cases, a Wikipedia article on an individual will be the very highest-ranking search engine result when a search is conducted on the name of that person. This affects the lives of the people we write about on a daily basis. To suggest that Wikipedia does not have profound obligations to do its best to keep these articles free of defamatory, gossipy and privacy-invading material is to suggest that we are without obligation to consider the real-world impacts of our actions and the work we are doing.”

Others have argued that practical considerations should prevent a change that could result in a large backlog of unreviewed edits. “Flagged revisions will suffocate under its own weight,” claimed administrator DragonflySixtyseven. Still other Wikipedian editors further argue that the current system works just fine.

Some consider the split could ultimately threaten the future of the dominant online encyclopedia. “The big issue is that while we have majority support, we don’t have consensus, and that’s the way we have always made our decisions,” Jake Wartenberg user and member of RC patrol chimed in. “A lot of editors are becoming disenchanted with the project; we are losing them all the time,” he added. By way of reply, amidst the embarrassing debacle, Mr. Wales has reached out to help and offered a compromise, inviting the opposition to submit alternative suggestions until the 29th of January.

“Implementing this functionality is really a volunteer community decision. We know the discussion about flagged revs is still taking place on English Wikipedia, but at this stage, it appears the majority of the community are behind this decision. As that discussion unfolds, we’ll have a better sense of the timing,” Jay Walsh, a spokesman for the Wikimedia Foundation, in a rejoinder, wrote in his e-mail message, explaining the status of the proposed restriction.

“Now seems an excellent time for Wikipedia to pause and take stock. It has proved the surprising wisdom of crowds as well as their utter idiocy. Its challenge now is to harness the enthusiasm of those volunteers while becoming a more reliable, better written source. And at some point, surely, its founders might want to turn it into a commercial venture. As Samuel Johnson almost said: “No one but a blockhead ever edited, excepted for money,” said Iain Hollingshead, a British freelance journalist and novelist.

“The suggestion of increased moderation on Wikipedia would divide the community. The site has built its reputation on being ‘the encyclopedia that anyone can edit’. It’s less radical to be ‘the encyclopedia that anyone can edit as long as their edits are approved by a trusted Wikipedian’ but that’s what co-founder Jimmy Wales has suggested. Wikipedia’s openness is its strength,” said Shane Richmond of The Daily Telegraph, asking, “is it most valuable feature its openness or its accuracy?”

Wales’ position is that “I consider our BLP issue to be so important that I think it is actually unethical to not use a tool which holds great promise for helping with the problem, now that it has been successfully tested elsewhere. Anyone who would like to see this tool not go into practice needs to start by convincing people that either (a) it is OK for the BLP vandalism problem to continue or (b) there is a better way to solve it.”

Wednesday, October 13, 2010

The rescue of the Chilean miners trapped in the San José Mine in Copiapó, codenamed Operación San Lorenzo (San Lorenzo Operation), began on Tuesday night, at around 20:00 local time (23:00 UTC).

Florencio Ávalos was the first miner to be rescued, at 00:12 local time (03:12 UTC) on Wednesday. He was wearing a shirt signed by all his fellow miners. “The first miner is already with us. We saw it all, him hugging his wife Monica and his son Byron,” said President Piñera shortly after the first rescue. “We still have a long journey.”

“This will be recorded on every single Chilean heart forever,” Piñera added. “I hope the miners’ hope stay with us, just like the [February] earthquake victims’ [hope] and what the earthquake took off. We know that the disasters unite us all.”

All the 33 miners were rescued. The last miner, Luis Urzúa, was rescued at 21:55 Chile time (00:55 UTC). “It is a pleasure to be Chilean, [I’m] proud,” said Luis Urzúa to President Piñera. “In honour of the miners, their families, the rescuers […] let’s sing our national anthem. Viva Chile Mierda!,” said Piñera. Urzúa thanked Mining Minister Golborne and the First Lady Cecilia Morel for “fighting for their lives.” “I’m proud of my fellow miners,” Urzúa added.

Six rescuers, including a miner and a paramedic, descended to the miners’ shelter using the Fénix 3 capsule which was specially constructed for the rescue. They performed check-ups and talk with the miners before taking them back to the surface. The rescuers still don’t leave the mine.

The Fénix 3 capsules are 3.95 metres in height and weigh about 460 kilograms. They have an armour, an oxygen tube and a microphone. The occupants helmets contain an intercom to keep them in contact with the rescue team on the surface.

President of Chile Piñera assisted to the rescue. Bolivian President Evo Morales could not attend Carlos Mamani’s rescue. Mamani is the only Bolivian miner in the group.

A mass for the miners was conducted at 18:00 local time (21:00 UTC). The rescue takes between 15 and 20 minutes for each miner.

On Tuesday, Mayor of Copiapó Maglio Cicardini announced that the municipal schools in the city will have no classes this Wednesday “to transform the rescue of the Atacama’s 33 in a familiar meeting,” Radio Cooperativa reported.

“The miners will be taken to the Copiapó Regional Hospital for medical checkup, where they will have to stay for 48 hours,” Health Minister Mañalich said to Televisión Nacional de Chile.

Celebrations are taking place in several Chilean cities. In Santiago de Chile, people gathered in one of the most important points of the city, Plaza Italia. In Pichilemu, tens of cars are passing over its most important streets. In Copiapó, people gathered in its main square to assist a massive concert.

On August 5, 33 miners were trapped more than 700 meters (2,300 ft) underground, in the San José copper–gold mine, located about 40 kilometers north of Copiapó, Chile.

The youngest trapped miner is 19 years old, and the oldest is 63. There were several rescue attempts before reaching the miners’ shelter on August 22. The National Emergencies Office of Chile (ONEMI) released a list of the trapped miners on August 6, which included Franklin Lobos Ramírez, a retired footballer.

Chile is the worlds top producer of copper, according to The Economist. The San José Mine is owned by the San Esteban Mining Company (Empresa Minera San Esteban). The mine was closed down in 2007, after relatives of a miner who had died sued the company executives, but the mine was re–opened in 2008.

It was originally estimated that “it would take three to four months to complete the rescue of the trapped miners”. There were three plans to reach the miners: “Plan A” using a Strata 950 drill, “Plan B” using a Schramm T130XD drill, and “Plan C” using a RIG-422 drill. The first to reach the miners was “Plan B”, early on Saturday 9.

The last step of their rescue, announced by Health Minister Jaime Mañalich, was originally due to begin on Tuesday. Laurence Golborne, Minery Minister said “If it is possible, and the cement sets before and we don’t have any impediments to doing it, it would be wonderful,” in a press conference on Monday. The men will be extracted in a steel rescue capsule 54 cm (21 inches) in diameter.

On September 4, Chilean filmmaker Rodrigo Ortúzar announced plans to film a movie about the accident, called “Los 33” (“The 33”). The film will be released in 2011.

One miner is Bolivian, and the other 32 are Chilean.

Raúl Bustos, 40 years old, is an hydraulics engineer. He left his job in Talcahuano after the February 27 earthquake to work in the mine.

Daniel Herrera, 27 years old, is a lorry driver. He has acted as paramedic assistant in the mine. He said to La Tercera “the miners were unhappy with the psychologist in the rescue team.”

Claudio Acuña, miner, is fan of the Colo-Colo football club. The BBC reports he is aged 56, but El Comercio says he is 44.

Pedro Cortez is aged 24. He joined the mine with his friend Carlos Bugueño. Cortez is an electrician, and lost a finger in the mine a year ago.

File:Juan Aguilar with President Piñera.jpg

A native of Los Lagos, Juan Aguilar is 49 years old. Aguilar is married to Cristy Coronado, according to El Comercio. Aguilar works as a supervisor.

Mario Sepúlveda is a 39 years old electrician native of Parral; he is married. He has been the spokesman of the most of the miners’ videos. Mario Sepúlveda was the second miner to be rescued, on Wednesday at 01:10 local time (04:10 UTC).

Víctor Zamora is a 33 years old auto mechanic. Zamora is married to Jéssica Cortez, who confirmed she was pregnant while he was in the mine.

Osman Araya is 30 years old, and married. He began working as miner four months before the accident.

Florencio Ávalos is 31 years old. He is the brother of Renán Ávalos, who is also trapped in the mine. He worked as driver in San José. Ávalos filmed videos, sent later to his relatives.

Ávalos was the first miner to be rescued, on Wednesday at 00:10 local time (03:10 UTC).

Jorge Galleguillos, 56 years old, has worked all his life in the mine. He said in one video he was feeling unwell; he takes medication for hypertension.

Carlos Barrios is a 27 years old miner. His father, Antenor Barrios, told Agence France-Presse: “I find he’s very strong and has enthusiasm. He spoke loud and clear. I was excited.”

Franklin Lobos Ramírez is a 53 years old retired footballer. He played for Cobresal, Deportes Antofagasta, Club de Deportes Santiago Wanderers and Unión La Calera, and briefly for the Chile national football team. Lobos had worked as a truck driver in the mine.

Yonni Barrios, called “The Doctor”, is a 50 years old electrician. He has knowledge of first aid, and was given responsibility for monitoring the health of his colleagues. “I felt I was in hell,” Barrios said in a letter to his wife.

Carlos Bugueño, 27 years old, joined the mine with Pedro Cortez. Previously, he worked as a watchman.

Alex Vega Salazar is a 31 years old heavy machinery mechanic. He is married to Jessica Salgado, and celebrated his birthday in the mine on September 22.

Ariel Ticona is a 29 years old miner. His wife, Margarita gave birth to his daughter on September 14. She was named Esperanza (Hope), at Ticona’s request.

Richard Villarroel is a 27 years old mechanic from Coyhaique.

Edison Peña is a 34 years old miner. “I want to go out soon,” he said on his first contact with his relatives. “I want to be free, I want to see the sun,” he added. He is a fan of Elvis Presley.

Claudio Yáñez is 34 years old, and works as drill operator.

José Ojeda, 46 years old, is the master driller. Ojeda is widowed and diabetic.

Luis Urzúa is a 54 year old topographer. He is the shift-leader, and was the first miner to talk with authorities. He is known as Don Lucho among the miners. He draw plans of the area of the mine where they are trapped.

Urzúa will be the last miner to leave the mine.

José Henríquez is a 54 years old drill master. He is also an evangelical preacher, and has worked in mines for 33 years.

Víctor Segovia is a 48 years old electrician. He is in charge of writing down everything that happens in the mine.

Pablo Rojas is a 45 years old explosives loader. Married, he had been working less than six months in the mine.

Juan Illanes is a 51 year old miner. He was a sergeant in the Beagle border conflict between Chile and Argentina in 1978, the incident which almost provoked a war between the countries.

Illanes was rescued on Wednesday, at 02:07 local time (05:07 UTC).

Jimmy Sánchez, 19, is the youngest miner. He had been working in the mine for five months before the accident. His role is to check the temperature and humidity in the mine.

Samuel Ávalos is a 43 years miner. His wife Ruth said “he was addicted to the cocaine.” His role in the rescue is to check air quality in the area the miners are living. According to the BBC, “Ávalos has worked in the mine for five months.”

Mario Gómez, aged 63, is the oldest of the miners. He has worked 51 years as miner. His father was also a miner, and is nicknamed “El Navegao” (“The Sailed One”). He was thinking of retiring in November.

Gómez also wrote the message “Estamos bien en el refugio los 33” (“We are fine in the shelter the 33 [of us]”).

Segovia is 48 years old. He is married to Jessica Chille, who said “To hear his voice was a confort to my heart,” after talking with him for the first time in 24 days. His sister María, was nicknamed “La Alcaldesa” (“The Mayoress”) for her leading role at Campamento Esperanza. His father, Darío Senior, was trapped in a mine for a week, and suffered serious injuries after two other mining accidents, according to the BBC.

Carlos Mamani is a 23 years old heavy equipment operator. He is also the only non-Chilean miner; Mamani is Bolivian. He began working in the mine just five days before the accident.

He was rescued at 03:11 local time (06:11 UTC) on Wednesday.

Renán Ávalos is a 29 years old miner, single, who had been working for five months in the mine before the accident. Florencio Ávalos is his brother.

Omar Reygadas is a 56 year old electrician. He began working in the mine shortly before the accident.

Esteban Rojas is a 44 years old miner. Rojas is married to Jessica Yáñez.